Loss of Traditional Signs of Formal Expression of Irony in A.P. Chekhov's Stories of the Second Half of the 1880s
DOI:
https://doi.org/10.31150/ajshr.v3i5.1119Keywords:
role, prism, detail, tragicomic tonality, sympathetic, intonation, pathos, modusAbstract
This article analyzes such stories of the writer as "Grisha" (1886), "Agafya" (1886), "Nightmare" (1886). It is considered how the types of ironic details, the very techniques of expressing irony, which is increasingly refracted through the prism of the hero's consciousness, change in the work of A.P. Chekhov in the second half of the 1880s. The inevitability of his "coincidence" with the previously established social role generates a specific combination of irony with a merciful feeling.
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