PORTRAIT AND ITS ARTISTIC-AESTHETIC FUNCTION IN THE WORKS OF ABDULLA QAHHOR
DOI:
https://doi.org/10.31150/ajshr.v2i9.727Keywords:
portrait, image episode hero work of art, story, genre, psychological portrait, composition, plot, style, principle, classic portrait, grotesque portraitAbstract
The article deals with the portrait of Abdullah Qahhor and its artistic and aesthetic function in the work of art. the place of the portrait in the work of art; the appearance of the image; mental state, image of action, ethics, portraiture, relation of the portrait to the parts of the work, giving the author's concept. Aspects of the author's stories "Sarob", "Sinchalak" and "A thousand and one souls" are analyzed in terms of poetic portrait art. The author’s style of portraiture is extremely diverse and its originality is analyzed on the basis of artistic texts. Notes from the researches of L.Levitan, N.Gurovich, M.Sultanova are given and the scientific aspect of the article is enriched.
References
Qahhor A. Interview with young people. T., Young Guard, 1968.
Sarimsakov B. The social nature of literature // OTA №2, 1995.
Abdullah Qahhor's "Village under Rule" 1932, first book
Abdulla Q. Collected Works.─T .: Manaviyat, 1989.─ B.3.
Abdulla Q. Selected Works. - T .: State Fiction, 1957. - P.9. B.124.
